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Utilizing an interdisciplinary technique, movie, background and reminiscence broadens the focal point from 'history', the examine of prior occasions, to 'memory', the procedures – person, generational, collective or state-driven – through which meanings are connected to the earlier.

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Sixteen. Ibid. , p. 35. 17. Samuel Huntingdon, The 3rd Wave: Democratization within the past due 20th Century (Norman, Oklahoma: collage of Oklahoma Press, 1993). 18. Kathryn Sikkink’s fresh learn, The Justice Cascade: How Human Rights Prosecutions Are altering global Politics (New York: Norton, 2011) builds on Huntingdon, but in addition demonstrates the step-change in restorative justice and foreign human-rights frameworks because the finish of the chilly struggle, instead of within the mid-1970s. 19. See, for example, Paulo de Medeiros, ‘War graphics: Photographic Representations of the Colonial War’, Luso-Brazilian assessment 39 (2002), pp. 91–106. 20. António Costa Pinto, ‘Settling debts with the prior in a Transition to Democracy’, in Alexandra Barahona de Brito, Carmen González Enríquez and Paloma Aguilar (eds), The Politics of reminiscence: Transitional Justice in Democratizing Societies (Oxford: Oxford college Press, 2001), pp. 65–91; ‘Political Purges and nation obstacle in Portugal’s Transition to Democracy, 1975–1976’, magazine of latest heritage forty three (2008), pp. 305–332; ‘The Legacy of the Authoritarian previous in Portugal’s Democratisation, 1974–1976’, Totalitarian pursuits and Political Religions nine (2008), pp. 265–291. 21. Paloma Aguilar, reminiscence and Amnesia: The position of the Spanish Civil battle within the Transition to Democracy, translated by means of Mark Oakley (Oxford: Bergahan, 2002). 22. Nancy Gina Bermeo, The Revolution in the Revolution: employees’ keep watch over in Rural Portugal (Princeton, NJ. : Princeton college Press, 1986). Bermeo’s examine evidently doesn't tackle modern interpretations of those occasions, yet concludes that ‘the increase of capitalist improvement has steered to a few that the period of peasant revolts is drawing to an finish’ (p. 222). 23. Bermeo, The Revolution in the Revolution, p. eighty one. 24. invoice Nichols, creation to Documentary (Bloomington, IN. : Indiana collage Press, 2001), p. 39; Stella Bruzzi, New Documentary, 2d variation (London: Routledge, 2006), p. 1. 25. Belinda Smaill, The Documentary: Politics, Emotion, tradition (New York: Palgrave Macmillan, 2010), p. 6. 26. Laura U. Marks, the outside of the movie: Intercultural Cinema, Embodiment, and the Senses (Durham: Duke collage Press, 2000). attraction and Disenchantment of the Archival photograph eighty one 27. José Filipe Costa, ‘When Cinema Forgets the Event’, 3rd textual content 25/1 (2011), p. 108. 28. José Filipe Costa, Linha Vermelha (2011), mins 6 and forty five respectively. 29. Costa, ‘When Cinema Forgets the Event’, p. 113. 30. Filipe Ribeiro de Meneses, ‘Slander, Ideological variations, or educational Debate? The Verão Quente of 2012 and the nation of Portuguese Historiography’, E-Journal of Portuguese historical past 10/1 (2012) (http://www. brown. edu/Departments/ Portuguese_Brazilian_Studies/, date accessed 1 March 2014). 31. See, for instance, Irene Flunser de Pimentel, A História da PIDE (Lisbon: Temas e Debates, 2007); Joáo Madeira (ed. ), with Luís Farinha and Irene Flunser de Pimentel, prologue through Fernando Rosas, Víctimas de Salazar: Estado Novo e Violência Política (Lisbon: A Esfera dos Livros, 2007).

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