By Robert Samuels
This publication argues that we have got moved right into a new cultural interval, automodernity, which represents a social, mental, and technological response to postmodernity. in reality, by means of exhibiting how person autonomy is now being generated via technological and cultural automation, Samuels posits that we needs to reconsider modernity and postmodernity.
Part of this rethinking includes stressing how the revolutionary political features of postmodernism must be separated from the classy intake of modifications in automoderntiy. Choosing culturally proper experiences of The Matrix, Grand robbery car, Eminem and Jurassic Park, he translates those medias during the lens of eminent theorists like Slavoj Zizek, Frederic Jameson, and Henry Jenkins. finally, he argues that what defines postmodernity is the strain on social development, secular humanism, and revolutionary social events that problem the universality and neutrality of contemporary cause.